A friend recently told me about a wonderful Georgian wine she had tried that had been created using a container that had been buried in the ground. She asked me if I was aware of this process but I was not so I set out to discover what it is.
Georgia is arguably the oldest wine producer in the world, dating back 8,000 years. Its wine production relied on the qvevri (pronounce “kway-vree”), which is an egg-shaped cavernous terracotta pot. It is lined with beeswax and buried to the mouth underground.
Use of the qvevri was halted by the Soviets after they invaded Georgia in 1921 and throughout their 70 year occupation. During that time the Soviets ripped up the hundreds of grape varieties grown on Georgia’s many family vineyards, replacing them with just a few grape varietals. They nationalized viniculture, resulting with the production of some 200 million litres of mediocre, mass-produced wine each year.
In 2006, the Georgian wine industry faced a grave threat when Vladimir Putin banned exports to Russia. Putin claimed it was to avoid rampant health violations in the Georgian wine industry but Georgia believed they were being punished for developing economic ties with the West.
A saving grace was that at the end of the Soviet occupation Georgian vintners began to return to using the qvevri method, rekindling a return to Georgia’s traditional wine industry. There are no barrels, vats or monitoring systems used in producing wine when using this ancient method.
White wine produced in a qvevri creates a unique flavour. Grapes, skins and stems all go into the qvevri in October each year where they are left to ferment with natural yeast for two weeks before being sealed in the qvevri and left buried underground for six months. The lids are then opened the following April and the developing wine is transferred to a smaller set of qvevri for a further half year of aging before bottling.
The extended skin contact gives the white qvevri wine an orange tint and a deep tannin flavour. Red qvevri wine is made utilizing the same process.
With the loss of the Russian market Georgia’s wine industry virtually collapsed. In 2009 production was only 22 million litres a year. However, by 2014 production had quadrupled since Georgia has developed more foreign ties.
Today qvevri wine still only represents less than 1 percent of the total Georgian output. However, the number of qvevri winemakers is growing as at least 30 artisanal winemakers use the ancient vessels exclusively, and larger wineries are adding qvevri wines to their inventory.
Other nations are now experimenting with this type of fermentation process, copying the qvevri using semi-porous materials such as concrete, ceramic, terracotta, and permeable plastic, to make egg-shaped fermenters.
The qvevri method ages the wine gradually, developing more flavour, softening tannins, and improving mouthfeel but it is not yet certain how popular this style of wine will become. The answer will likely come down to a matter of taste, but if my friend’s reaction to it is any indication, qvevri produced wines will have a bright future.
Sustainability is defined from an environmental perspective as “the avoidance of the depletion of natural resources in order to maintain an ecological balance”. The objectives include a desire to improve environmental performance, improve the quality of wine growing and winemaking in an environmentally responsive manner, provide information to consumers and add value to the wine industry and the community.
Because of climate change, people are more willing than ever to go “green” with their eating habits, from going more plant-based to cutting back on food waste. Many people have become interested in making their beverages more eco-friendly, including drinking sustainable wine.
Wine Growers Canada (WGC) supports a selection of appropriate environmental sustainability programs for both winery and vineyard operations, underlining a widespread awareness of environmental sustainability and a commitment to implementation. WGC’s Environmental Sustainability Principles were developed in cooperation with FIVS, a worldwide organization designed to serve the alcohol beverage industry. FIVS also collaborates with the International Organization of Wine and Vine (OIV) on sustainability, and both have been adopted by the World Wine Trade Group. These principles ensure flexibility in achieving environmental sustainability objectives, while preserving the programs of individual wineries and providing an ability to achieve success within a company’s particular operating environment.
The vineyards are where sustainable practices are the most obvious. The main objective is to reduce the need for the use of chemicals and create a healthy viable biodiversity where the vineyard can survive.
Some vintners are using sheep to mow and fertilize their vineyards. Sheep along with ducks work to control pests and weeds.
Cover crops such as grasses, legumes, mustard and radishes may be planted between the rows of vines to assist with soil fertility, enhance microbial activity and protect against soil erosion. These plants attract desirable predatory insects that can help control the species that can damage the vines and fruit.
Use of alternative energy sources such as solar panels are also helpful.
The proximity of the vineyard to the winery can have a sustainable impact. The closer the two are together the less physical stress the grapes will have between harvesting and wine making.
A winery having a significant portion underground reduces heating and cooling energy requirements. Underground cellars naturally maintain a consistent level of temperature and humidity.
Geothermal heating and cooling systems, as well as using gravity rather than pumps to transport the wine from crushing to fermentation and cellaring are also effective practices.
In order to become a certified sustainable winery, it must be evaluated by a credited independent third party. This helps insure that a sustainability symbol or logo (usually found on the back label) truly indicates that a wine is produced using sustainable methods.
These standards include composting waste to make fertilizer, conserving water and reducing energy consumption and pesticide use. To qualify, wineries must provide records of energy use and greenhouse gas emissions as well as water management and employee health and safety.
Sustainable wine-grape growing is a journey, not a destination.
Identifying Sustainable Wine
If you want to choose good-quality sustainable wine, take time to learn more about where the wine came from and how the grapes are produced. The easiest way to do this is to look for third-party labels, such as EMS, LIVE or SWO (Sustainable Wines Ontario) on bottles of wine when you shop.
Canadian Wineries Practicing Sustainability
Many Ontario wineries have chosen to become a Sustainable Winemaking Ontario Certified Winery (SWO). To be certified, the wineries are audited annually to ensure they are adhering to environmentally sustainable practices in their winemaking operations. Best practices include conservation of water, reduction in waste and wastewater and implementation of energy efficiency programs, including the use of sustainable power sources.
Certified Ontario wineries must also produce VQA wines, which are made from 100% locally grown grapes. Local wines inherently have a smaller carbon footprint and also play a vital role in preserving local economies. They are an integral part of a community’s economic health.
SWO Certified wineries must also cultivate positive relationships within their community. They must be leaders in social responsibility and be committed to producing authentic regional wines.
SWO wineries and wines can be identified by the green leaf icon found on labels and in the Wine Country Ontario Travel Guide.
Participating SWO wineries are listed below:
SWO Winery & Vineyard Certified
Cave Spring Vineyard
Château des Charmes
Flat Rock Cellars
Henry of Pelham Family Estate
Hidden Bench Estate Winery
Malivoire Wine Company
Pelee Island Winery & Pavilion
Southbrook Organic Vineyards
SWO Winery Certified
Reif Estate Winery
Vineland Estates Winery
Some wineries also have additional certifications:
Certified Organic wineries use 100% grapes grown without the use of chemical pesticides, herbicides or synthetic fertilizers. Instead, they fertilize with compost, compost teas, green manure and cover crops;
Biodynamic wines are generally certified through the Demeter Farm Standard, which reflects the biodynamic principle of the farm as a living organism: self-contained and self-sustaining, following the cycles of nature; and
Leadership in Energy and Environmental Design (LEED) is a green building rating system. It promotes global adoption of green building and development practices through the implementation of universal performance criteria. It is administered in Canada by the Canada Green Building Council (CaGBC).
The first wines certified under a new made-in-BC sustainability program should be on shelves this year. The certification process, Sustainable Winegrowing BC (SWBC), was originally scheduled to launch in April 2020, but was delayed by COVID-19. With the program up and running, BC vineyards and wineries are now able to apply for a third-party audit, receive certification and describe their wine as “made from grapes grown in a certified sustainable vineyard” or “made in a certified sustainable winery.”
Program development began more than 10 years ago, driven mostly by industry volunteers under the auspices of the BC Wine Grape Council. The wineries involved include large wineries such as Arterra and Andrew Peller, medium-size wineries like Quails’ Gate and Hillside Estate, as well as some boutique wineries like Tantalus and Le Vieux Pin/La Stella. Vineyard owners, consultants and Summerland Research and Development Centre scientists round out the membership.
To date, 68 vineyards and 37 of the province’s 280 wineries have completed the self-assessments.
Sustainability is the way of the future. Supporting these wineries is an investment in our own future and well-being. The quality and flavour of these wines is equal to, or superior to non-sustainable wines. Here’s to the future!
New York is the third largest wine producer in the United States, following California and Washington. New York produces roughly 3.5% of the U.S.’s wine production compared to California at over 84% and Washington at slightly over 5%.
There are eleven designated American Viticultural Areas (AVA). An AVA is a designated wine grape-growing region in the United States as identified by the Alcohol and Tobacco Tax and Trade Bureau, and the United States Department of the Treasury. The AVAs are Champlain Valley, Long Island, North Fork of Long Island, The Hamptons Long Island; Hudson River Region; Finger Lakes, Seneca Lake, Cayuga Lake; Niagara Escarpment , Upper Hudson and Lake Erie.
Wine production began in New York in the 17th century with Dutch and Huguenot plantings in the Hudson Valley. Today the two dominant wine regions are the Finger Lakes and Long Island. In 1976 the Finger Lakes and Long Island regions had 19 wineries. By 1985 this number increased to 63 wineries.
The climate differs amongst the eleven regions because of regional influences, such as the Atlantic Gulf Stream and the numerous bodies of water and mountainous regions around the state. The annual precipitation ranges from 76 cm to 127 cm. The growing season in the Lake Erie and Finger Lakes regions ranges from 180 to 200 days a year, while on Long Island the season extends to 220 days.
Today there are over 450 wineries throughout the state.
Riesling grapes consist of less than 10% of New York’s wine production but are used to make some of the highest quality wines. Other varietals include French hybrids, American hybrids and Vitis Labrusca, which are vines native to eastern North America.
American hybrids grown include Catawba, Delaware, Niagara, Elvira, Ives and Isabella. French hybrids consist of Aurore, Baco Noir, De Chaunac, Seyval Blanc, Cayuga, Vidal and Vignoles, which is used to make late harvest wines and ice wines.
I find it interesting that even though I can see New York State from a Muskoka chair in my yard I can very seldom find New York wine in my local liquor store. On the other hand I can find California, Washington and even Oregon (ranked 5th in U.S. production at only 1.5%) wines all the time. Especially in the case of Oregon, I am left to think that either Oregon wines are superior in quality and flavour to New York wines or they have a much more aggressive marketing plan, or both. I can vouch for the quality of Oregon wine but have not had the opportunity to do the same for New York wine.
Today I am taking a break from my usual subject, the sweet nectar of the Greek gods, otherwise known as wine, to talk a little about my second passion, which I am equally as fond of; whisky, or is it whiskey? The fact of the matter is that whether it is whisky or whiskey is dependent on where the brew was made. Whisky hails from Scotland while whiskey originated in Ireland. Whiskey is also the normal spelling used for North American varieties.
Both Scottish whisky and Irish whiskey make use of the same grain, barley, but the similarity ends there. The two beverages do not taste at all alike. In fact the taste can vary dramatically by region within each of the countries.
The common North American whiskies are made with rye, wheat or corn, or a combination of two or all three. Again, regional differences may impact the composition and flavour of the whiskey.
My beverage of choice, whether it is whisky or whiskey, depends on my mood. I don’t have a single favourite, not because I can’t make up my mind but because my favourite of the day depends on my mood. What do I mean by this? If I find my mind overstimulated the last thing I want to do is try to relax by sipping on a very complex and robust whisky that attempts to challenge me. That just generates more unsettledness. Instead, in that situation I want something very mellow and smooth, such as Sexton or Bruichladdich’s ‘The Laddie’.
However, the reverse is also true. If I am relaxed and decide to sip on a whisky I will select one that is more complex and bold; one that is robust and will stimulate my mind, perhaps Bowmore or Lagavulin.
Being the family’s historian and an avid genealogist for the past 40 years, I have been asked on more than one occasion whether I place my allegiance behind my father’s Scottish heritage and whisky, or my mother’s Irish ancestry and whiskey. My answer is “definitely”. I must admit that I have a prejudice for the Scottish and Irish varieties over those from North America.
Going forward I will occasionally inject a whisky or whiskey musing just to keep life interesting, but my main focus will continue to be the grape.
Here is a sobering thought; if the industrialized world continues to produce greenhouse gases at its current rate, the United Nations predicts that there will be an increase in the global mean temperature of about 3.2˚C between now and the end of this century. This is a similar increase to the change that resulted in the most recent ice age.
Wine, which is among the most sensitive agricultural products, demonstrates how climate change is transforming traditions and practices, many of which are centuries old. Around the globe, producers have contemplated and experimented with adaptations, not only to hotter summers, but also to warmer winters, droughts and the sort of unexpected, sometimes violent events such as spring frosts, forest fires, and flooding, to name a few, that are a result of climate change.
Original archives compiled from 664 years of harvest dates and weather conditions from Beaune (pronounced: [bon]) in the Burgundy region of France, is the longest known homogeneous series of grape harvest dates available. These records indicate that temperatures have climbed enough that harvests now begin an average of 13 days earlier than they did prior to 1988.
Grape growers have been noting significant changes in weather patterns since the 1990s. Places such as England, that were traditionally unsuited for producing fine wine, have been given the opportunity to become part of the global wine world, transforming local economies in the process.
In areas like Burgundy, Barolo, Champagne and the Mosel and Rhine Valley, where great vintages were once rare, warmer growing seasons have made it much easier to produce exceptional wines on a consistent basis. This good fortune has increased both land values and wine prices giving grape growers and winemakers fame and fortune. The character of these wines has evolved in part as a result of climate change.
If the growing season becomes too hot, the grapes will advance through their life cycle too quickly. As a result tannins and anthocyanins, the compounds responsible for giving grape skins their color, won’t develop properly. Subdued acid and increased alcohol levels are also possible and often undesirable.
Variations between daytime and nighttime temperatures are in jeopardy as well. In warmer growing regions, that difference can be crucial to achieving freshness and encouraging certain flavour and aroma development.
Intense heat or too much direct sunlight can lead to dried fruit notes or create dull wines. Fruit that’s left too long on the vine can be damaged from sunburn or may simply shrivel.
Wine growers in northern Italy have already experienced more regular occurrences of sun-damaged crops.
The summer of 2019 in Southern Australia was the hottest since keeping national records began in 1910, and it ushered in an 8% loss of white wine varieties, with Chardonnay dropping 12% to its lowest yield in the past five years. Growers in Priorat, Spain reported devastating vine damage, scorched leaves and desiccated grapes when temperatures shot up to a record 42˚C.
Freezes during the winter or extreme frost in the spring may become less frequent in the years ahead but they have the potential of being much more severe. A decrease in regular winter frosts may also encourage the spread of pests and insect-borne diseases that would normally die off during cold seasons.
The amount of moisture is pivotal. Too much rain approaching or during harvest can lead to watery grapes and a weak vintage. Similar to mild winters, damp, soggy and humid conditions make the vines susceptible to a variety of pests, fungi, mildew and disease.
Rising sea levels, which according to NASA are expected to surge by about 66 centimetres by the beginning of the next century will have the capability of altering or destroying coastlines. Severe floods are also possible and could destroy many vineyards in Portugal, New Zealand and California.
Drought can be another challenge for grape growers. Even though vines may be more tolerant to water deficiency than other crops, the resulting stress can even be desirable, spurring root growth. However, too much stress can hinder photosynthesis, delay or inhibit bud ripening, lower winter hardiness or cause the vine to stop producing altogether. In these situations the soil could be eroded away by wind.
While irrigation can be beneficial, it is not always possible. The recent 3 year drought in South Africa resulted in a decline in vineyard area, improper berry set, hindered vine growth overall and produced the smallest yield since 2005.
The fast moving effects of climate change are forcing the wine industry to take decisive steps to counter or adapt to the changing climate. For example, some growers are pursuing higher altitude locations, which provide shorter periods of intense heat or are better at sustaining day-night temperature swings.
A group of Chilean winemakers, who recently cultivated Patagonia, are advancing into wild territory where nothing is guaranteed. Their hope is that the patchwork of microclimates and terroirs will provide future reprieve from some of nature’s elements, even if it means risk in the short term.
In order to minimize the effects of the intense sunlight, producers are rethinking canopy management, pruning techniques, developing cover crops and extensive shading methods, increasing vineyard biodiversity and finding ways to reuse water.
New World wine producers are experimenting with different grape varieties. In South Africa, growers are testing more drought-resistant varieties. In Australia, vintners are now growing Italian grapes like Fiano, Vermentino and Nero d’Avola varietals that can thrive in a warmer environment. In California, new varieties are being introduced to the Napa Valley.
In Old World regions as well, where many grapes and blends have been historically prescribed by law, the idea of moving to different vines is gaining momentum. For example, in Bordeaux the Union of Bordeaux AOC and Bordeaux Supérieur winemakers have unanimously approved a list of seven “varieties of interest for adapting to climate change”, those being Arinarnoa, Castets, Marselan, Touriga Nacional, Alvarinho, Liliorila and Petit Manseng.
Implementation of each of these solutions requires a great deal of time, research and testing. Unfortunately, the methods being devised now may not work in the future as the climate continues to change.
In the short term, it may appear that there is currently better wine from regions we know and new wine from previously uncharted areas, but the reality is we are going to experience ever-worsening and unpredictable viticultural challenges in the near future.
Pinot grapes come in a great variety and not only are they related, many varieties are quite closely connected through DNA.
However, before getting too far in this discussion it is important to point out that Pinot Gris and Pinot Grigio are in fact the same grape. Confusion sometimes arises from there being two names. Pinot Gris is what the grape is called in France, while the term Pinot Grigio originates in Italy.
There are some noticeable differences in characteristics between the two, due to climate, soil and production techniques. Pinot Gris tends to be a bit softer, with touches of honey and a smooth feel, while Italian Pinot Grigio is a bit more acidic with bitter almond undertones. Technically, there is also American Pinot Grigio which is most similar to Italian Pinot Grigio, but tends to be a bit less tart and more fruit-forward.
Similarly, Pinot Blanc and Pinot Bianco are one and the same as well; Pinot Bianco is the Italian name. Just as with Pinot Gris and Grigio, French Pinot Blanc and Italian Pinot Bianco produce markedly different wines.
The French versions from Alsace are musky and creamy-textured whereas those from Italy have livelier acidity, with pear or even soft citrus flavours. American Pinot Blancs are usually made in the French style, as the name suggests. Pinot Blancs pairs well with cheese-based dishes; Pinot Bianco goes nicely with light foods like chicken breasts or flaky white fish in a simple sauce.
Both the red and white grape are referred to as Pinot because the grape clusters resemble the shape of pine cones. The latter half of their name refers to the colour of the grapes. Pinot Noir is a rather dark skinned grape, Pinot Gris are considered to have a gray coloured skin, and Pinot Blanc is considered to be is often a mix of bronze, green and pink grapes within the same bunch.
Pinot Blanc/Bianco and Pinot Gris/Grigio are colour mutations from Pinot Noir in which they lack pigment, producing the lighter grapes and fruitier wines. Pinot Blanc/Bianco has the least amount of anthocyanin.
The juices of all the Pinots are clear, but Pinot Noir is allowed to remain with its skin for a period of time which gives it its red colour. Pinot Blanc/Bianco and Pinot Gris/Grigio on the other hand are not left with the skin, therefore creating a white wine.
With respect to taste, Pinot Grigio is noted for pronounced, often quite high, crisp and bold acidity. Pinot Gris and American Pinot Grigio have softer, medium levels of acidity but it is still very present.
Aged, Pinot Gris/Grigio will tend to showcase a bit more acidity and structure than Pinot Blanc/Bianco. Pinot Blanc has a rounder expression. It’s actually among the regular, daily whites consumed in Alsace. Unlike the often brighter fruit flavours found in some Pinot Grigio, Pinot Blanc can tend towards apple and even some smoky flavours; it can also be oaked for a bit more richness.
Pinot Blanc is very versatile. It is used in still wines, sweet, and sparkling wine. In northwestern Italy, Pinot Bianco is also used in Franciacorta, which is an Italian sparkling wine. It’s also a major component in Crémant d’Alsace.
Pinot Noir is semi-acidic, though because it is a red wine, the acidity is a bit less noticeable. It is a light bodied red wine with flavour notes of red berries, cherries, and vanilla. When aged there may be hints of vanilla and caramel accents. Clove, licorice, and even smokier tobacco are present in some varieties.
When pairing with food, Pinot Noir compliments light meats such as chicken and fattier fish like salmon. Most Pinot Gris wines have a medium body and crispness, allowing them to pair well with light seafood dishes.
Tannins provide an astringent, drying sensation and also add texture to the wine. For red wine, Pinot Noir is rather light in tannins, and being white wine, Pinot Grigio, Pinot Gris and Pinot Blanc are inherently low in tannins.
Both Pinot Noir and Pinot Grigio tend to be produced as dry wines. Pinot Gris, due to light touches of honey notes, tends to have a touch of sweetness, which can even be considered as slightly off-dry. Pinot Blanc has its own taste spectrum, either rich (when oaked) or lighter and more neutral in the Pinot Grigio way, but usually with more fleshiness and lower acidity.
In summary, when compared, there are a number of differences, but also a few similarities between Pinot Noir, Pinot Gris/Grigio or Pinot Blanc/Bianca. They all tend to be light; refreshing wines with distinct acidity, but can also be more complex and smoother, depending on climate.
At the time I was introduced to the world of wine I was told that white wine was to be served chilled straight from the fridge and red wine drank at room temperature. However, since then I have learned that the serving temperature of wine is much more complex than that.
Research has discovered that when wine is served at the proper temperature it is much more enjoyable. When determining serving temperature we need to look beyond just the colour of the wine to the type or varietal of the wine. Serving wine at the right temperature will provide the intended flavour, character and bouquet of the wine.
However, let’s not go crazy here; determining the serving temperature of wine is by no means an exact science. There isn’t an exact optimal temperature for any particular wine. A difference of a couple of degrees won’t affect your taste experience.
When considering serving red wine at “room temperature”, what most people don’t realize is that room temperature has actually changed over time as building construction and materials have changed. At one time room temperature would have been a drafty damp 13o to 16oCelsius versus today’s average temperature of 20o to 23o Celsius. That is a significant change. If you normally serve your red wine at room temperature try chilling it in the fridge for 15 minutes prior to serving and see whether you prefer it chilled or not.
White wines on the other hand can be served too cold. If the wine is served too cold then both the flavour and bouquet may be stifled; but if served too warm they are not enjoyable either. White wine is best served between 7o and 10o Celsius.
The following chart indicates the suggested serving temperature for a number of the more common varietals of wine, as recommended by the experts:
Serving Temperature (oC)
Time in Fridge
7 – 10
30 – 40 minutes
Pinot Gris/Pinot Grigio
7 – 10
30 – 40 minutes
7 – 10
30 – 40 minutes
7 – 10
30 – 40 minutes
White Bordeaux Blends
16 – 18
15 – 20 minutes
16 – 18
15 – 20 minutes
16 – 18
15 – 20 minutes
13 – 16
15 – 20 minutes
Red Bordeaux Blends
16 – 18
15 – 20 minutes
16 – 18
15 – 20 minutes
16 – 18
15 – 20 minutes
Remember, these are suggestions only. You can try experimenting serving your wine at varying temperatures and see what works best for you.
Studies have shown that there is a common perception that the higher the price of a bottle of wine, the better the taste and the more enjoyable it is.
During one of these studies the participants were provided with incorrect information regarding the price of the various wines tasted. It was discovered that the participants found that an inexpensive wine was far more enjoyable when it was believed to have a higher price.
The study took place at Switzerland’s University of Basel where 140 participants were provided with six different wine samples which they had to rate for pleasantness and intensity. Three of the samples provided no price information while the others displayed a price; a low, a medium and a high price.
The three wines indicating price had none, one or two of the wines incorrectly priced. The mislabeled wines were either four times higher or four times lower than the actual price.
When the price of the wine was not displayed the study showed no difference in the pleasantness rating, irrelevant of the actual price. However, the mislabelled wines showed that the level of enjoyment was directly related to the indicated price. Low-cost wines displaying an erroneous high price were found to be more enjoyable than the true higher priced wines.
In another study researchers used MRIs to scan participants’ reactions while tasting deceptively labeled wines. The research indicated that as the label price increased so did the enjoyment of the wine. During a subsequent study the same results were achieved.
The studies also showed that decreasing the displayed price of an expensive wine did not affect the overall rating for its pleasantness. However, when the price was deceptively increased most participants preferred the wine more.
Even when one wine has a legitimate higher price it should be kept in mind that the higher price can often be attributed to being produced by a prestigious winery or vintner, being a rare vintage, being produced from exceptionally old or historic vines or wines consisting of varietals that are not in abundant supply. None of these reasons necessarily noticeably impact the flavour or quality of the wine; food for thought when perusing the aisles of your local wine merchant.
July 13th saw the beginning of torrential rains that resulted in devastating flooding in parts of Germany, Belgium and the Netherlands. The rivers were unable to withstand the volume of rain which resulted in rivers overrunning their banks, flooding some towns and villages. Some wine regions in northwestern Germany suffered extensive damage, with the full impact still to be determined. Even vintners in regions less impacted by the flooding have to contend with water in their cellars and mildew on grapevines.
According to meteorologists, some parts of Germany received the equivalent of two months of rain in a 24 hour timeframe. Parts of the Rhine and its tributaries in Germany and the Meuse River in Belgium and Holland quickly overflowed their banks. The Ahr Valley, a Rhine tributary, was particularly ravaged. The steep slopes on both sides of the river contain Spätburgunder (Pinot Noir) vines, which are some of Germany’s best. The Germany’s Mosel region also experienced flooding that was compared to a tsunami. It came quickly and totally surprised everyone.
To date there have been upwards of 300 deaths attributed to the flooding with many more people still missing. Wineries in the region have all but been destroyed. All that remains in many cases are the bare walls of the structures. Furniture, cars, tanks, presses, tractors and other equipment are all lost.
With the equipment gone, the vintners will need a great deal of manual labour to maintain the vines for the balance of this season and then to harvest the grape crop. Then once it is harvested they will need to determine how they will press the grapes and ferment the juice.
Teams from the unaffected areas are organizing to help the grape growers in the devastated areas. The Verband Deutscher Prädikatsund Qualitätsweingüter (VDP), Germany’s association of top-quality wine, is organizing charity events. A wine festival is taking place this weekend where all of the proceeds will go to relief efforts.
It is worth making a mental note that when the 2021 vintage of German wines reach the shelves in a couple of years, the quantity will be less and the price will be relatively higher than in previous years. This will be due to the reduced supply and increased costs in getting these wines to market. There may also be some spoilage do to mold.
My thoughts are with everyone affected by this devastating situation.
With COVID seeming to be lessening its grip, life as we used to know it is once again beginning to slowly return. Part of that are the various wine competitions. The 40th edition of the All Canadian Wine Championships was held from July 6th to 8th. In total, 208 wineries submitted 1,327 wines to assess.
Assessments and awards were based as follows:
Trophies : “All Canadian Best Wines of the Year”
All wines are judged using the 100-point system. Trophies are awarded for each of the following categories:
Best Red table wine
Best White table wine
Best Dessert wine
Best Sparkling wine
Best Fruit wine
The award for Best Red Wine of the Year went to BC’s Dark Horse Vineyard for their 2016 Red Meritage ($60.00).
The Best White Wine of the Year was the 2020 Gewürztraminer ($20.69) from BC’s Wild Goose Vineyards and Winery.
The Best Dessert Wine of the Year went to Ontario’s Peller Estates Winery for their 2019 Andrew Peller Signature Series Riesling Icewine ($89.85).
BC’s Forbidden Fruit Winery won the Best Fruit Wine of the Year award for their 2020 Flaunt Organic Sparkling Plum ($22.00).
Finally the Best Sparkling Wine of the Year award went to BC’s Gray Monk Estate Winery for their 2018 Odyssey Rose Brut ($29.90).
Double Gold medals / Best of Category were awarded to the single highest rated wine (using an average of the aggregate judges’ scores) from each of the categories. These wines were all submitted for the Trophy round.
Medals of Merit: Gold, Silver, Bronze were awarded in the following manner:
Gold awards were awarded to those wines scoring in the top 10 percentile.
Silver awards of merit were issued to those wines scoring in the second 10 percentile.
Bronze awards of merit were given to those wines scoring in the third 10 percentile.